29.06.08 - Atlantico Pavilion - Lissabon (PT) - 1000 Hotels Tour

Setlist:

1. Break Away
2. Final Day

3. 1000 Oceans

http://de.youtube.com/watch?v=EeZgSX_iKU0&eurl

4. Leb die Sekunde

http://de.youtube.com/watch?v=EkSkOd0Ytz0&eurl

5. Love Is Dead
6. Wir sterben niemals aus (I'm not very sure on this one)

7. Scream

http://de.youtube.com/watch?v=XFNxhy3SrOE&eurl

8. Schwarz
9. Stich ins Glück (not sure of this one either)
10.Ready Set Go!

11.Reden

Tokio Hotel lisboa 29.06.2008 (Reden)

12.Heilig (or this)
13.Geh
14.Don't Jump
15.Raise Your Hands Together

Encore
16.Durch den Monsun

http://de.youtube.com/watch?v=y8bXNlVlgw0&eurl
17.In die Nacht
18.Rette mich
19.An deiner Seite

Tokio Hotel in Atlantic Pavilion

Translation by Stern at tokiohotelamerica.net/forum - please credit her when you use this. Danke!

German band welcomed with hysteria and devotion. After the cancelled concert in March, this time Tokio Hotel did show up.

“Entering Atlantic Pavilion, on “D-day” for Tokio Hotel, it’s not the movement of people that impresses. The balconies are full – of fans and posters, almost all written in german – but the arena (standing) is pretty rarefied. What impresses, as soon as you enter the doors of the biggest lisbon venue, it’s the sound.

The youngs that are concentraded next to the stage – probably, the same that camped during a week in front of Atlantic and became motive of news report in every TV station – unite themselves in an unbelievable colectiv scream each time the “environmental” music stops playing. Assuming that Bill Kaulitz, Tom Kaulitz, Georg Listing and Gustav Schäfer, the teenagers that eight years ago created Tokio Hotel, are about to enter the stage. The wildest spectators open their throats and produce such a high and sharp sound that it can be said to be able to perforate the less prepared ears.

1st photo
subtitle: The cheers were at their tops in Atlantic Pavilion.




We say “they in feminine” because, as it was to expect, the large majority of the public is feminine. There are women (mothers that escort their daughters and, in several cases, also know the musics), teen girls and many, many child girls, as the eight years old child that we saw with a white mini skirt, black leggings with the word “sexy” stamped and lips painted with black lipstick. Next to her, the mother helps her in the moments of greater excitment.

At the set time, the boys that all of this girls wanted to see – since March, time when the other concert was cancelled – enter the stage and provoked, naturally, the risen of the screaming registered till then.

Curtain closed above the stage, a little resembled with what happened, recently, in the concert of 30 Seconds to Mars on that same venue, and the cenary reveals itself in all its elaboration. Several floors – seems like we are in a hard-rock videoclip of the eighties – an interesting light effect and a platform where Bill Kaulitz, the star of the night, will sing several of the themes, in diva mode.

2nd photo
Bill Kaulitz is the center of all atentions.




Unlikely pop star, the 18 years old german showed himself comunicative with the fans, despite the weak english that he showed to speak, in the studied intervations before some musics. Dressed in black and red, Bill Kaulitz – skinny figure, ultra spiky hair and eyes full with black eyeliner and grey shade – it’s clearly the center of atentions, despite the many love declarations that, a little through the all venue, comtemply the other band members.

“Break Away”, the first music of the night, was barely heard due to the fans screaming; “Final Day”, which followed, showed Bill Kaulitz descending the stares, from the platform to the low floor of the stage, with the skills of someone who steps in a catwalk. While the glamourous vocalist, who started his career in a kind of “Chuva de Estrelas” (portuguese show) singing “It’s Raining Men”, debits emotional lyrics with which every young girl present can identify themselves with, the band accompanies him in an almost naked-metal.

“Live every Second” becomes a juvenile hymm, with the public vibrating with the message of inconformism and the quartet enveloping themselves in the crowd flattering, while “Love is Dead” makes appear, in the giant screen in the bottom of the stage, diabolic flames that, probably, match that that burns without be seen. ( reference to Camões, portuguese writer and the that refered is love)




In a kindly setlist, several themes in german weren’t missed – that even the youngest followed without hesitation – and a hand full of ballads old times way, like “Don’t Jump”, with Bill Kaulitz once again in the platform, or the obligatory “Monsoon”, accompanied with thunderstorm clouds in the giant screen.

Curious was the projection of a small film, while the music retreated themselves to change clothes or, who knows, spy the result of the Euro final. On those images, you could see the band shopping and picking clothes, but also walking with “Foofighters” shirts, signing fans boobs and playing foosball. The idea of “live on the road”, so hard and sweet, looks expensive to the band, even in that point follower of a certain hair-metal iconography of the eighties.

3rd picture
Proudly naked to the band (that girl is the founder of Portuguese Fans Club)



4th photo
Bill Kaulitz and his twin brother, Tom (on the left)



In the first of the encores, Tokio Hotel offered the public two ballads with acustic guitars, played by Tom Kaulitz; before “Rescue Me”, his twin brother, Bill, took some more souls to delirium, collecting and keeping in his lap one of the stuffed animals that his fans have thrown him ( the choosen one was a dog).

The last goodbye, with “By Your Side”, slide down in confettis rain and in the sudden apearing of small posters with the symbol of the Portuguese Fan Club with the subtitle “Wir sind da” (we are here). (that’s not the symbol of the Portuguese Fan Club, is a image created to the action) Bombastic and emotional, was the proper ending for a matine that the fans won’t forget so soon.

5th photo
The admirers throwed on stage all kinds of “recuerdos” (souvenirs)


6th photo
The portuguese fans didn’t show themselves shy on the time to write messages to the band.”

http://diario.iol.pt/musica/tokio-hotel-...67327-4060.html

Tokio Hotel: gritos e lágrimas em família
Banda alemã regressou ao Pavilhão Atlântico e levou ao êxtase os jovens fãs


Há já uma semana que uma das partes laterais do Pavilhão Atlântico estava «pintada» em tons coloridos de laranja, amarelo e azul. As tendas de campismo foram multiplicando-se como cogumelos à medida que o concerto dos Tokio Hotel se aproximava.

Foram vários dias de espera para algumas centenas de jovens fãs, na sua maioria do sexo feminino e com idades que não ultrapassavam os 17 anos. Neste acampamento montado sobre o piso de cimento não faltou ainda a presença de alguns pais que quiseram apoiar de perto a dedicação dos filhos à banda alemã.

Loucura? «Não, eu quando tinha a idade delas também gostava muito dos Modern Talking. E na altura dos meus pais, eram os Beatles», afirmava uma mãe que veio do Porto com as duas filhas e dormiu desde quarta-feira à porta do Pavilhão Atlântico.

Chegado o dia D, desmontaram-se as tendas, enrolaram-se os colchões e ficaram os pais, de fora, a guardar as mochilas destes campistas de ocasião. Os que puderam, conseguiram um lugar bem à frente do palco; uma espécie de medalha de ouro para qualquer fã que se preze.

Lá dentro, as bancadas estavam completamente cheias, e melhor compostas do que a plateia, embora seja sempre bom ter algum espaço em redor, especialmente quando existem milhares de fãs prontas para gritar até à exaustão. E foi mesmo assim que começou este concerto: aos gritos. No regresso ao Pavilhão Atlântico, depois do cancelamento à última da hora em Março, os Tokio Hotel foram recebidos em êxtase.

Ao vislumbrar das primeiras silhuetas de Bill, Tom, Gustav e Georg, a berraria foi tanta que no exterior, aqueles que passeavam calmamente pelo Parque das Nações, devem ter pensado que alguma desgraça tinha acontecido. Mas não, eram apenas os Tokio Hotel a entrar em palco, pelas 19h30, ainda o sol brilhava, para o início do segundo concerto em Portugal no espaço de um mês.

A resistência dos tímpanos foi testada durante cerca de hora e meia. A cada gesto, a cada sorriso do andrógeno Bill Kaulitz, o público feminino reagia inevitavelmente gritando o mais alto possível. Num espectáculo mais elaborado do que o do Rock in Rio, os fãs tiveram a oportunidade de ver a sua banda favorita num palco apetrechado com três painéis gigantes e um jogo de luzes digno das grandes estrelas.

Também os fãs se esmeraram e, para além de todo o apronto nas vestimentas e na maquilhagem, enfeitaram os balcões do pavilhão com cartazes e faixas com mensagens na língua de Goethe, dando as boas-vindas de volta ao nosso país e declarando paixões, umas mais tórridas que as outras. Será que a loucura em volta da banda já levou a um aumento das inscrições nas aulas de alemão?

O que é certo é que não houve tema que não fosse cantado em coro pelo público, quer em inglês ou alemão. «Scream», «Ready, Set, Go!» e «Geh» foram apenas alguns dos muitos êxitos que animaram uma plateia composta por muitas crianças e pré-adolescentes que já veneram os Tokio Hotel.

Lágrimas foi o que também não faltou neste concerto, sobretudo durante a inevitável «Monsoon», banda sonora deste verdadeiro fenómeno à escala europeia. Nem os pais escaparam ao refrão da canção mais conhecida dos Tokio Hotel e cantaram juntamente com os filhos. Era o clímax já esperado, mas nem por isso menos eficaz.

No regresso para o primeiro encore, os Tokio Hotel chegaram-se bem à frente do palco, interpretando dois temas em versão acústica. Bill agarrou-se a um urso de peluche, uma das muitas oferendas atiradas pelos fãs para o palco, e contou mais uma vez com o coro de vozes femininas da plateia em «Rescue Me».

«By Your Side», com direito a confettis, foi entoado num banho de lágrimas, com os fãs a levantarem bem alto cartazes com corações desenhados. Era o tema final de um concerto que terminou a horas «decentes» para os pais que têm que trabalhar esta segunda-feira e que às 21h00 esperavam os filhos à porta do Pavilhão Atlântico com sacos do McDonalds ou caixas da Pizza Hut.



Google Translate
There is already one week that one of the sides of the Atlantic Pavilion was "painted" in colorful shades of orange, yellow and blue. The camping tents, were multiplying up like mushrooms as the concert of Tokio Hotel was approaching.

Several days of waiting for some hundreds of young fans, mostly female and aged not exceeded the 17 years. In this camp mounted on the cement floor, not even missing the presence of some parents who wanted to support closely the dedication of children to German banda.

Madness? 'No, I was the age when they also very fond of Modern Talking. And at the time of my parents, were the Beatles' said one mother who came from Porto with the two daughters and slept since Wednesday outside the Atlantic Pavilion.

Once the D-Day, desmontaram up the tents, enrolaram up the mattresses and were parents, outside, save the backpacks of these campers occasion. Those who could, have a place well ahead of the stage, a kind of gold medal for that if for any fan preze.

Inside, the benches were filled completely, and better composed than the audience, although it is always good to have some space around, especially when there are thousands of fans ready to scream until exhaustion. And even then that was started this concert: the screams. On return to the Atlantic Pavilion, after canceling at the last minute in March, the Tokio Hotel were received in ecstasy.

In the first glimpse of silhuetas Bill, Tom, Georg and Gustav, so that was berraria abroad, who calmly passeavam the Park of Nations, must have thought that some disaster had happened. But there were only the Tokio Hotel to come on stage, by 19:30, yet the sun brilhava, for the beginning of the second concert in Portugal in the space of one month.

The strength of tímpanos was tested for about hour and a half. Every gesture, every smile of androgen Bill Kaulitz, the public reacted inevitably female screaming the highest possible. In a spectacle more elaborate than that of the Rock in Rio, the fans had the opportunity to see their favorite banda a stage equipped with three giant screens and a decent set of lights of the big stars.

Even the fans if esmeraram and, in addition to any apronto in clothing and makeup, enfeitaram the desks of the flag with posters and banners with messages in the language of Goethe, giving the welcome back to our country and declaring passions, some tórridas more than the others. Will the madness around the banda has already led to an increase of entries in the classes of German?

What is certain is that there was no topic that was not sung in chorus by the public, either in English or German. 'Scream', 'Ready, Set, Go! "And" Geh' were just some of the many successes which coordinated an audience composed of many children and pre-adolescents who already venerate the Tokio Hotel.

Tears which was also not lacking in this concert, especially during the inevitable 'Monsoon' banda sound of this real phenomenon on a European scale. Neither parents escaped to the refrain of the song best known of Tokio Hotel and sang along with their children. It was the climax already expected, but not therefore less effective.

In return for the first encore, the Tokio Hotel came up well in front of the stage, singing two themes in acoustic version. Bill adhered to a plush bear, one of many offerings thrown by fans for the stage, and has once again with the chorus of voices of the female audience on "Rescue Me".

"By Your Side ', with the right confettis, was entoado in a bath of tears, with the fans to raise loudly posters with hearts drawn. It was the theme end of a concert ended hours' decent 'for parents who have to work this Monday and 21.00 hoped that the children at the door of the Atlantic Pavilion with the McDonalds bags or boxes of Pizza Hut.


Edit

Some more, but I think they say same things

http://www.tvnet.pt/noticias/detalhes.php?id=29625